That NEW Adage

A pressure-relief valve about God, and just about everything else.

Just a Snippet…

I have said that I play the saxophone for, what has been lately, somewhat of a living. Here is a clip from a gig I did with a band in which I really enjoy playing. It is the closest thing to the kind of music I want to play that I have been able to do in a long time — I hope you followed that. This is the band playing, “Sister Moon,” as done by Herbie Hancock and Sting.

Bear with me! The clip takes a few seconds to load, and the picture is small. I didn’t want to buy the Pro version of Quicktime just for this one thing. I hope you like it.

http://www.cmdstudio.com/kwestweb.mov

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September 23, 2008 Posted by | Entertainment, Jazz, Life, Live Music, Music, On the Job, Performance, Saxophone, Sister Moon, Video Clips, Work | 2 Comments

…Just another office job.

Some of you may know that I play at BB King’s club here in Memphis on Monday nights. I used to be in the house band, and I will soon tell you how I came to not be. Playing in clubs is a treacherous endeavor. Here is one example of why:

The current house band has been on staff since we, Ty Brown, were replaced back in September of ’03. They back up the highly paid headliners and are required to know all the headliners’ material, as well as perform the last set during the week alone. They are an excellent group of players who tour with nationally-known acts on a regular basis. They have done great work for the four-plus years there, having to be proficient in various music styles such as blues (of course), pop, R&B, jazz, country, reggae, and soul. The guys would rehearse early in the mornings despite getting off late at night.

The year for a working local musician goes like this, generally; busy in the spring and summer, not so busy in the early fall, booked solid during the Christmas season, and hibernating in January and February!

At BB’s in Memphis, the year is about the same, except that Memphis in May is a BOOMING time for them. Beale Street is the main tourist attraction in Memphis — Elvis notwithstanding — and BB King’s club is the premier spot on the street.

I’m no business expert, but I know that a club like that establishes its budget around the busy season and lives off the fat in the slow time. I’ve been told that that is how they do it. Landscapers operate the same way. It is (usually) understood that musicians in a house band are employees just like the rest of the staff, and as such, have a set salary. The pay doesn’t fluctuate like gas prices or my blood pressure. It has never been my experience that this has been the case. Until now.

A new general manager was hired last year, and when she came in, she met with the leaders of the bands who played there and assured them that, unlike the past regimes, she understood the musicians and would work on their behalf to make the environment fair, respectful, and enjoyable for all of us. People have been getting fired left and right since then. (see the film, “I Come in Peace.”)

Last week brought the coupe de grass. She informed the band that due to the fact that the club was doing less business after Christmas, their pay during the week would be cut by twenty-five percent, and that if they didn’t like it, they could walk and that another band could be brought in at less than what she was offering them! Point blank. Cold blooded! Happy New Year! (Our band had its pay cut as well, but our bandleader took the hit and pays us the same as before, which is decidedly less than what we would normally make elsewhere.)

Now, these guys had done nothing to warrant this pay cut, and they should have quit. The hard fact is that the GM was telling the truth. She could bring in some hacks to play five hours for fifty dollars a man or less(!) and the average tourist would not know the difference because they would have no other point of reference and would be so caught up in the whole “Beale Street Experience” that they wouldn’t notice the poor musical quality. Musicians around here don’t stick together, and the union is feckless. There is some bad music on that street sometimes.

I was told that she said that the pay would go back up in the summer, but who’s to say? If they went for this — taking less money and liking it — they will go for anything. If the GM has shown no conscience or loyalty to the band up to this point, why would she be expected to when times “get good” again? All she is concerned with is the bottom line. It is the classic corporate model. Quality suffers while the bosses get richer. Look at all the plastic they put on cars now… But they are ten times more costly to own.

I’ll bet the managers didn’t take a pay cut!

This club can probably go the whole year from what they make from May until Labor Day. I was told by a lower-level manager once when I was in the house band that on a particular Saturday night while we were playing, the club was so packed, the band was so good, that they made 10,000 dollars on food and alcohol in one hour!!

It is funny: The musicians are the reason why these clubs even exist. The musicians are the ones who take thoughts and make them into art. Yet when there is “fat” to be trimmed, the musicians always get cut. Beale Street, BB Kings Club, would be just a restaurant were it not for the live music, and good musicians. But we always get the snotty end of the stick at these times.

I, personally, would have told the GM to go ahead and get some hacks to take the stage. My abilities don’t depend on HER, they depend on those who care to enjoy the ART of good musicianship. Another gig can be found without being insulted in this way. See how long the club would remain the premier spot with some crusty old dude in a orange suit sittin’ on a bucket playing an out-of-tune guitar with four strings on it. If jazz has only a niche audience, in all its elegance, think how small an audience there would be for gutbucket blues 24/7. 

The Bible says that for a time the injustices of man seem to go unpunished. The wicked seem to prosper. This may be one of those times, and I must fight to accept it. But I’m not wired like that! I had to at least say something! I can’t stand unfairness. Before you say it, No, BB isn’t involved with the running of these clubs that bear his name.

And here I thought I was out of the thorny corporate loop…

January 15, 2008 Posted by | Christian Life, Employment, Life, Life Lessons, Music, On the Job, Rant, Work | Leave a comment

MY New Year’s Eve

 Tonight (Monday, new year’s eve) I am playing a party. I’d BETTER be! This is the biggest gig night of the year for a musician. My gig will pay me almost six times my normal amount. It is about a forty minute drive from home at a casino in Tunica, Mississippi.

I found out by text message at about 1 AM last night that the 5 o’clock sound check is mandatory. Now, normally, sound checks don’t involve me because I am just the sax player/background singer and I don’t have to set up any amps or pedals or anything. Usually the boss will tell me to just get there about thirty minutes ahead of time to check my mics and everything. I assumed that today would be no different.

I was wrong.

My wife hates her job. One of the reasons is that, for example, today she has to work. (She works every Christmas Eve, too.) She gets off at five. I watch Max during the day, and she takes over when she gets home. See where I’m going?

I text messaged the bandleader, who has always been reasonable about stuff like this — even on big gigs, to ask what I was supposed to do about sound check since I had Max and that Kathy didn’t get off till five.

Oh, yeah, I forgot to mention that our other car has not been roadworthy enough for extended trips since this old lady ran me off the road and into a curb, and now whenever I have to drive more than a couple of miles, I start to smell tire rubber burning…

What am I supposed to do? I wrote.

In less than a minute his reply was, That’s not my problem.

Not his problem. Motherfather! (sorry. I don’t curse but sometimes substitutes creep into my mind… Pray for me)

So, as far as he knew, my wife would have to leave work early, or I would have to bring the baby with me to sit around and wait for two hours just for me to say, “Check, one two, one two” and come back home and get ready for a gig that won’t start till about 9:30!

Let me inform you here that for the type of gigs I usually do, sound check is a COLOSSAL waste of time. We all knew that if the time was set for five PM, they would not even start running cables until the entire rhythm section was set up. Why did I have to be there at 5? I HATE with a passion having my time manipulated and wasted!

That is EXACTLY what happened.

Heck, the boss — whose problem it was not —  didn’t even get there until 5:20! When I got there at 4:50 or so, the drummer was the only one there!

Okay, lately, I’ve been mulling and praying over the idea of starting my own band. I have a lonnnng list of grievances with my bandleader, the latest of which is the fact that I went the entire Christmas season without playing ONE Christmas party! This is usually the season to be jolly, pocket-wise! Meanwhile, he has been playing with other bands (he is the bass player in the band), renting out his audio gear, and is going to Singapore next week with a blues singer.

I’m not jealous at all. The thing is that we, his band, have been either sitting at the house, or scraping to find work while all the other bands are booked up. Part of the reason why he gets so much more than I do is because it is his job to deal with the agents and the clients, and to find us work! He expects us to be available when he books a gig, but his incentive to do so has been compromised because he has so many less stressful outlets by which to make money. 

It is a lot harder for a non-essential sax player to find work than it is a drummer or keyboard player. (I wouldn’t trade my horn for anything!)

When airing my grievances to the other guys (the boss basically blew me off and tried to string me along when I tried to talk to him), they felt that it was my job to take care of mine, and that when it was all boiled down, Bossman was looking after his OWN family.

Okay.

I always said that I didn’t want to form a band of my own until I got a manager to deal with all the headaches — lateness, drunkenness, drugs, irresponsibility, laziness, skirt-chasing, etc.

But the more I talked, the more I heard, “You’re ready! Get your own group.”

I am making a point with all of this. Bear with me…

I talked to a few guys, none but one of whom plays in the band with me regularly, about the particulars and possibilities of doing this.

“I want to play more jazz and Nat Cole, Frank Sinatra-type standards, and not this top forty/old school junk that we play ad nauseam. Is there a market for this here?”

“Should I deal with an agency, or go by word-of-mouth?”

“If an agency, what measures do I take to get signed?”

“I have no gear. How much would I need for this type thing?”

“How much would a small set-up be?”

“If I do this, would YOU want to play with me?”

“When I get enough cash to make a record, will you work with me on it?

I asked around to get the tenor of the times, so to speak, and a lot of guys wanted to get on board.

The thing is this: Was Bossman’s attitude so cold towards me earlier because he had somehow heard about my possible plans? I was very discreet, but my wife seemed to think that was the case. I felt that since I was not doing him wrong by trying to support myself — without taking any of his guys with me — he had no reason to be upset. Besides, I was only just thinking about it! I wasn’t trying to burn any bridges. The river’s too wide to try to swim back across!

Back to the story…

Everyone had told me to play it cool and not to go off, even though he had it coming! I’m terrible at the poker-face.

So it’s 5:30, and everyone was at the venue, but nothing was set up, and the lone sound man was dragging his feet. Setting up a stage this size is an hour job for three or four guys, so having just one didn’t bode well for us, time-wise. And I had to go all the way back home to get dressed.

Most of the other guys had brought their clothes, but, as I tersely related to the foot-dragger, I didn’t assume that I would not be able to return home from a 5 o’clock sound check for a gig that started at freekin’ 9:30! That’s why I didn’t want to go all that way in the first place! I knew they would be piddling around with my time!

He made a smart remark that left me biting a hole in my lip.

The funny thing is this: When the boss saw me, he smiled, said, “What up,” and proceeded to pass out calendars for next year! As if all this down time were just a blip! He was totally oblivious!

If he were planning to pre-emptively fire me, he surely wouldn’t be doing that!

At 6:40, 6: doggone 40, the lead singer walks in cool as iced tea, and nobody raised an eyelash. Now if he could do that, why did I, as far as the bandleader knew, have to get my wife to leave work early and lose money for me to sit around for two hours before any microphones were turned on?!? Why was it so crucial that I be there to stew in my own suppressed anger with nothing to do but watch the “Beverly Hillbillies” marathon backstage on Nick at Nite?
At 6:45, we were ready to check the mics and the instruments. The lead singer’s mic was awful, and the sound man, frustrated by his lack of help, and by our absence of sound check etiquette (everyone was checking stuff all at the same time. I hate that), snapped at us.
This, this set the boss off, and he proceeded to curse the guy out as I walked past them both on my way to the car for the forty minute trip home to eat and change. I thought it was interesting that he went to bat for the guy who showed up an hour and forty minutes late, but left me to fend for myself earlier without even a thought.
All night during the show, he tried to crack jokes with me and make light while I concentrated on being professional, and sang on a mic that wasn’t even on! I couldn’t even be phoney enough to make eye contact with him.
As the lead singer butcherized the words to “Auld Lang Syne,” my decision was being hardened with every beat.
The show was complete with belly dancers, showgirls, fire-baton twirlers, full-scale pyrotechnics, and smoke machines that made the place look like the devil’s lobby! All I kept thinking was of the rich man in the Bible, all nervous,  saying, “Please! Somebody get Lazarus on the phone! He knows me! Somebody call Lazarus!!”

 I told Kathy about all of this when I got home.

“Baby, now, a new year is coming in!” she said in an attempted motherly tone. “You can’t be ticked off for the new year.”

“Why not?” I asked, ” ‘Cause I’ll be ticked off the whole year?”

“Well, you know,” she said, “History does like to repeat itself…”

“No, it doesn’t LIKE to. It just TENDS to.”

We threw back our heads and laughed. (freeze frame, roll credits…)

This year will be different.

Happy New Year, dear readers! I love you all. Thanks for indulging me in this endeavor, and for encouraging me. May God bless you as He has blessed me, and may He give you the nervous anticipation and hope that He has given me as we all embark on this new journey called 2008.

January 1, 2008 Posted by | Christian Life, Employment, Humor, Life, Music, New Year, On the Job, Playing Music, Saxophone, Work, Writing | 4 Comments

Music and Drama.

Yeah, I play the saxophone. Mostly, right now, I play section stuff in r&b bands doing clubs, occasional casinos, and various parties. I want to front my own band, but with all of the drama that goes on with guys showing up late, getting drunk, forgetting parts, and other musician stuff, I’ve declared that I would not get my own band until I got a manager to deal with all that junk!

I see a lot of stuff. Things that make me laugh, things that make me angry, and things that make me pray! I’ve seen guys do things that I can’t figure out how to clean up enough to write about that would make you fall out laughing.

See, being a Christian puts me in the position of being the “Mr. Good Guy” who tries to be some kind of example (at least) in the face of a lot of debauchery. The one band that I work primarily for, which will have to remain nameless because some guys’ wives may read blawgs, provides a lot of material. We do this club gig on Monday nights in downtown Memphis, and although I haven’t seen anyone knifed, I’ve seen just about everything else. Like the time my boy Curtis got into it with these two guys about them stealing money from the tip jar…

Curtis plays trumpet with us sometimes, along with Marc. On this night he was playing with the house band, of which he is the leader.

Anyway, Curtis confronts this guy, a part-time bodyguard and full-time drug seller Darryl, I believe he is named, about the cash, and the argument escalates until Darryl, about 6′-4″, 280, draws him outside where his unnamed accomplice sneaks up behind him and knocks him down. (Curtis had slippery-bottomed dress shoes on, and it was drizzling outside.) After they get him down, they proceed to peel his head open with a music stand! All this while the band was onstage! Nobody helped him. A couple of the guys were mad at him about band stuff, and I guess the others were reluctant to maybe get shot. That was real messed up, though, for them to let that happen to him.

Curtis got a concealed weapon permit shortly thereafter. He said that he wasn’t takin no more “A” whuppins!

So, yeah, a couple months later, after his stitches and everything came out, I was onstage at the club on a Monday and out the front window (the whole front wall is basically a window…), we see all these blue lights flashing. Folks in the club started to turn away from all the scintillating entertainment to see what was going on… Okay, here’s what happened:

Apparently the night before, Curtis (A lot of stuff happened to Curtis, but he always lands on his feet. Except for that last time…) was hanging out at the bar. He wasn’t working that night, just hanging. His wallet came up stolen. So, I guess the guy who stole it, not knowing that the guy he stole it from actually WORKS in the place(!), was at the front window bar posing as guess who?! The manager on duty (foolishly?) calls Curtis at home and tells him about it and that the guy is running up charges on his card but not to worry that he has him on ice.

Curtis, I guess, gets this new gun and shoots down to the club. We’re onstage while all this is going on.

So, anyway Curtis gets out of the truck, a Tahoe with big, shiny rims on it, and decides against bringing the gun in. See, the cops set up shop right outside the front door of the club.

But just at the last second, Curtis has a change of heart and turns around to get his gun. This is Beale street, a main tourist attraction in Memphis, and there were a lot of people walking around on a Monday summer night. This White lady saw Curtis stick his gun in his pants and immediately calls 911 with the details: “This Black guy just got a gun out of this big, pimped-out suv and stuffed it in his pants! He looks angry!”

Okay, now we’re back to the point at which I see all the blue lights.

So, they got Curtis on the ground, right? And they got guns drawn on him, and feet and knees and stuff on his neck, and they’re shouting and cussing at him, okay? And Curtis was thinking, “I wasn’t gone shoot the guy, I was just gone persuade ‘im. Scare him a little bit.” He didn’t get a chance to say none of that to the cops. Too much aaasphalt in his mouth.

We were almost through with our second of three sets when all this came together, so when we ended the last song, I shot out the side door and ran around to see what had happened. See, a waitress came to the front of the stage and told the lead singer that Curtis had been arrested, and he told ME. So all I knew at that time was that my padnuh (friend) was in the “back seat.” As I approached the car, his girlfriend (I GOTTA tell you about HER!) beseeched me, “Tell him to bee qwiiiiet! Carlos almos’ had him out, but hee won’t quit cussin’ the po-leece out!” Translation: They were about to let him go, but his persistent belligerence negated that possibility.

“Curtis, shut up!” I said. “Just shut up!”

Curtis said through the tiny crack in the window, with his arms politely behind his back, something like, “Man fornicate these cops! I tole them I had a permit, but they ain’t lissen!” That was probably because cops don’t generally like to be cursed out by gun-toting Black guys. Permit or no permit. If he had just calmly let them slam him to the ground, everything would have been sorted out with only minor cuts and bruises. Better yet, if he had adhered to the law that states that you can’t have a pistol where alcohol is sold and left his gat in the truck, I would have no story to tell.

As it was, Carlos, the manager, was able to get the thief locked up, but unable to keep Curtis from going to jail. It was a CIRCUS! We were back onstage playing “Brick House”(I hate that tune!), or some other drivel,  and Curtis was in the back seat of a police car in the front window of the club where he worked, spitting and cursing, and about to go to the BIG house while the actual criminal was in the car next to him chillin! They spent the night in the SAME JAIL!! The folks in the club looked like they were watching a tennis match, heads going back and forth from the band to the front window.

That, folks, is the environment in which I live out my Christianity. I try to be light to the guys with whom I work, doling out Scripture and advice whenever appropriate, but guys don’t often like to be preached at. I pray for them, though. Would you do so, too? My work world is not much different than a restaurant (I did that too, once, and it was BABYLON, believe me!), an office, or many other occupations. I am blessed that the Lord strengthens me and enables me to remain free of drug use and some of the other common pitfalls that accompany a musical life. Ironically, it was Curtis Monday night who suggested that I write some of these stories down in a book. Maybe I will clean up a few more stories, if you like, and write them here. Let me know. In the words of that great theologian, Rodney Dangerfield, “I gotta million of ’em!” 

Remind me to tell you about the time one of his women tried to run him over. Or the time Larry, another singer, got mad and walked out while we were playing his intro music… Or the time Bill C. took a deaf groupie to his hotel room and tried to whisper “sweet nothings” to her in the dark! Naw, I can’t figure out how to tie a Christian tail on that one. Peace.

October 17, 2007 Posted by | Christian Life, Christianity, Humor, Life, Music, On the Job, Playing Music, Saxophone, Work | 2 Comments